Little House

Art & Art Activities at Little House

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Currently Featured in the Little House Galleries

Michael Belew - Photographer

The subject matter that I photograph is common to everyday life, early evening at the coast, a forest in the fog, or early mornings in the garden. No exotic locations or unusual lighting set-ups, just natural scenes set in public places.

I like to create a mood with my photographs. The mood will generally lend to a dreamy, ethereal feeling. Working in the rain, fog, early morning, and at twilight help to achieve that feeling. The use of soft focus in part or all of the photograph, long exposures, de-saturating the color or working in black and white are some of the tools I use to accomplish the look and feel I’m after.

All or some of these components are what I use to convey my personal creative expression to my photographs.

Jenny Hopkinson  - Painter

Jenny Hopkinson studied Visual Arts and Sculpture at Emerson College, Forest Row, England, where she plunged into the exciting worlds of woodcarving, stone carving, clay modeling, and metalwork, as well as painting. Recently she has been adding a three-dimensional feel into her paintings by Including sand, wood, and textile.

She grew up in Cardiff, South Wales, and Buckinghamshire, England, before coming to the San FranciscoPeninsula as an editor, and later as a tutor in English as a Second Language.

Her artwork has been shown in both group and solo exhibitions, achieving several awards. She is a member of the Pacific Art League, Palo Alto, and her portrait "Young Man of the Mountains" won First Place there. Another of her portraits is published in the art and poetry book Migraine Expressions, A Creative Journey, from Metro Press.

Kathryn Kain – Master Print Maker 

During her years as a high school student she was fortunate to be able to participate in the museum art classes offered by ToledoUniversity. Kain studied art at the Cleveland Art Institute and ArizonaStateUniversity. She completed her BFA at San Jose State College where she first embraced the multifaceted world of printmaking. Two years of independent study with master printmakers Kenjilo Nanao and Misch Kohn followed at Cal State Hayward prior to earning an MFA in printmaking at the San Francisco Art Institute.

Recently she has focused on drawing the plants from a hillside near her studio that is housed in an abandoned military housing neighborhood which had been untouched for 25 years. These recent art works reflect an inner recognition of the silent, abandoned and very private paradise offered by the old fruit trees and the birds flying in the canopies of this hidden Eden. Focusing on botanical forms that refer and connect to an assortment of found or borrowed images; Kathryn Kain creates a composition that is loosely narrative in character. Objects from nature are portrayed realistically, but located in a shallow free-floating space. The play between drawings and found imagery often involves themes related to food, femininity, domesticity and traditional roles associated with women. She is fascinated with portrayals of women in popular media, especially vintage Americana. Three fruits: an apple, a quince or a pomegranate have been called the original fruit of temptation in the biblical story of the fall from Paradise – these became a starting point for drawings and collages based on the myth of Eve and its pagan precursors. What followed was a deepening of the ritualistic practice of drawing natural objects at close range. For Kathryn, the drawing is a meditation; the objects become receptacles of feelings.
As a master printer, Kathryn Kain has worked at the Ernest DeSoto Workshop in San Francisco and as the Master Printer at the Smith Anderson Editions in Palo Alto where artists of international reputation are invited to work with her and where unique and experimental monotypes are produced. She has taught at BlufftonCollege in Ohio, The San Francisco Art Institute, DominicanUniversity and StanfordUniversity in the Bay Area, and at the AndersonRanchArtCenter in Colorado. Her award winning drawing and collage monotypes have been shown across the United States and in Mexico. Many museums have exhibited her work including the Toledo Museum of Art, The Triton Museum, The De-Saisset Museum, The San Jose Institute of Contemporary Art, The Oakland Museum of California Art, The Nevada Museum of Art, El Ex-Convento del Carmen in Guadalajara and at the Galeria Irma Valerio in Zacatecas.

Carol Summers - Master Print Maker

Carol Summers is considered by many art historians to be among only a handful of master printmakers alive today. Summers worked as an artist throughout the entire second half of the 20th century and has continued into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, he was drawn to color woodcuts or woodblocks as they are more widely known around 1950 and it became his specialty thereafter. Over the years Summers has developed a process and style that is both innovative and readily recognizable. His art is known for its large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented.

Artist’s statement: "I think an artist is a kind of inventor searching for a way to body forth his dreams or fantasies, his visions or caprices. The notion that there is a right way to make a print strikes me as exactly backwards, since any method tends to dictate a specific result....One of the charms of the woodcut for me is its very simplicity - it is essentially blotting ink from one surface into another, and so admits of endless variation."

Selected Museum Collections:

Accademia degli intronati, Siena, Italy
Art Institute of Chicago
Baltimore Museum
Bibliotheque Nationale, Paris
Boston Museum of Fine Arts
Bradley University Museum, Peoria, Illinois
Brooklyn Museum, Brooklyn, New York
Corcoran Gallery of Art, Washington, D.C.
Cornel University Museum, Ithaca, New York
De Cordova Museum, Lincoln, Massachusetts
Detroit Institute of Art
Kurstmuseum, Malmo, Sweden
Kurstmuseum, Basel, Lugano, Switerzland
Library of Congress, Washington, D.C
Los Angeles Count Museum
Metropolitan Museum of Art, New York
Museum of Modern Art, New York
National Gallery of Art, Washington, D.C.
National Museum of Modern Art, New Delhi, India
New Britain Art Institute
New York Public Library
Philadelphia Museum of Modern Art
San Francisco Museum of Modern Art
Seattle Museum of Art
Victoria and Albert Museum, London
Wake Forest University, Winston-Salem, North Carolina
Walker Art Center, Minneapolis, Minnesota
Exhibitions:
1961 ~ The Contemporaries, New York
1964 to 1966 ~ Museum of Modern Art, Traveling Exhibition
1965 ~ Lowe Art Museum, Miami, Florida
1966 ~ De Cordova Museum, Lincoln, Massachusetts
1967 ~ San Francisco Museum of Modern Art
1967 ~ Washington Gallery of Modern Art, Washington, D.C.
1967, 1976 & 1980 ~ Associated American Artists, New York
1971 & 1983 ~ Fendrick Gallery, Washington, D.C.
1974 & 1982 ~ American Embassy, New Delhi, India

1975 ~ Toledo Museum of Art, Toledo, Ohio

1976 & 1978 ~ ADI Gallery, San Francisco
1976 & 1983 ~ Graphics 1 and Graphics 2, Boston
1977 ~ Brooklyn Museum, Brooklyn, New York
1975, 1979 & 1984 ~ Kauffman Gallery, Houston, Texas
1983 ~ University of California, Santa Cruz
 

 

Michael Charlow - Digital Artist

Michael Charlow is a digital artist working on the Peninsula. He is a graduate of the University of Oregon School of Allied Arts and Architecture.
 
His credits include artwork for the album "Drowning in Neon" by the group Agent 126, as well as his self-published children’s book Akazukin, a Japanese version of Little Red Riding Hood.
While not completely identical to the Brothers Grimm version, you will no doubt recognize the classic tale. With the aid of native speakers, Michael translated and adapted the story for Japanese audiences with a contemporary graphic interpretation in the style of "manga". Manga is the Japanese term for “comics” and in Japan these manga are taken more seriously than illustrated novels are in the United States. They typically span more genres, media, and are often aimed at specific genders and age groups.
Michael’s artwork and resume can be viewed on the Web at: www.michaelcharlow.daportfolio.com
 

Call for Art:

If you are an accomplished artist and you'd like to exhibit at our Little House Galleries, click here.